Court Rules Playboi Carti Innocent in Beat Beef Takedown

Playboi Carti and Universal Music: The Copyright Takedown Controversy

A recent ruling by a US court has shed light on the case involving rapper Playboi Carti and music giant Universal Music, where an improper copyright takedown notice was issued against a video on Twitter. The crux of the matter stemmed from Carti’s displeasure over another track allegedly using the same beat as a song from his debut album.

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The Legal Battle Unfolds

The controversy began when an invalid takedown notice was submitted by Universal on behalf of the rapper, whose real name is Jordan Carter. However, the court determined that the Universal employee responsible for the submission was unaware of the notice’s invalidity. This ruling rendered the claim against Carti unsubstantiated, as he was found to have had no involvement in the takedown process.

The lawsuit raised important questions about the responsibilities of record companies in issuing takedowns under US law to protect their copyrights. It also underscored the complexities faced when multiple tracks utilize the same beat, especially when an established artist licenses a beat that is also in use by others on a non-exclusive basis.

DMCA Guidelines and Legal Implications

The Digital Millennium Copyright Act (DMCA) provides a framework for copyright owners to request the removal of infringing content from digital platforms. Platforms must comply with takedown notices to avoid liability for hosting copyrighted material without authorization.

Entities issuing takedowns are required to have a “good faith belief” that the material in question is infringing on copyright. Willful misrepresentations in takedown requests can lead to legal repercussions if the content is wrongfully removed.

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The Case of Jordan White vs. Playboi Carti

In a lawsuit filed by Jordan White, known as G-Baby, against Carti and Universal, the dispute centered around the use of a beat licensed from producer Jordan Jenks. White’s track ‘Oi’ allegedly shared the same beat with Carti’s ‘Right Now’ from the album ‘Die Lit’.

White claimed that Carti was aware of the shared beat, citing instances where Carti expressed displeasure when his track was posted online and when a Universal executive contacted White’s manager regarding the beat’s usage. White alleged that Carti orchestrated the removal of the ‘Oi’ music video from Twitter to stifle competition.

However, the takedown notice on Twitter was initiated by a Universal team member, Osaze Olumhense, independently of Carti’s influence. The court noted that Olumhense acted in good faith, believing the copyright in Carti’s track had been infringed, even though the takedown was ultimately deemed invalid.

Legal Ramifications and Conclusion

The court dismissed White’s initial claim against Carti and Universal but allowed an amended complaint, which has now been ruled upon. White sought a declaration that his use of the beat in ‘Oi’ was legitimate, but the judge declined to issue such a ruling, as neither Carti nor Universal indicated any copyright infringement on White’s part.

In conclusion, the case highlights the importance of due diligence in issuing copyright takedowns and the complexities that arise when multiple artists use the same musical elements. It serves as a cautionary tale on the legal responsibilities of both rights holders and content creators in the digital age.

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For more information on copyright laws and music industry practices, visit websites like Copyright.gov and RIAA.com.



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